Personal interest list

In no order

Soyuzmultfilm and Soviet animation (Nu Pogodi, Leopold the Cat, etc.), post-Soviet culture and Eastern Europe generally, khrushchevka, British folklore, mythology, and urban legends (black dogs, stone tape theory, Hexham wolf, etc.), Britain and British culture generally, Ireland and Irish culture generally, historical and contemporary (geo)politics and ideology ([removed]), religion (Buddhism and Christianity mostly, also Quakerism; the lives of the saints, both canonized and uncanonized; religious iconography and ethics; Saint Francis (and the Wolf of Gubbio,) Pierre de Luxembourg, Saint Christopher; doctrine of universal reconciliation,) ethics and post-biological values (non-anthropocentrism, antisexualism, antinatalism, negative utilitarianism, veganism and animal rights, Mitchell Heisman's concept of post-biological values,) AI development (If Anyone Builds It [...], AGI and ASI, x-risk and p(doom) discussion and writing, political and cultural implications, attempting to keep up with things in real-time as it all happens, Lesswrong, potential timelines and developments, AI 2027 and associated projects and websites, Claude Mythos talking about Mark Fisher for some reason nobody seems to know,) hauntology (in music; in writing; in mainstream culture; references in past culture (Sapphire and Steel and basically anything else Mark Fisher talks about,)) angelicism01 (Jonty’s works themselves and the surrounding culture, Dimes Square itself to a limited degree, potentiality of near-term extinction, “going extinct online,” film01,) funny animals (vintage fursuits, non-furry anthropomorphism, Reynard and Isengrim, Robin Hood (1973), Watership Down, mascots and characters, old illustrations, furry music, certain corners of modern furry subcultures, sparkledogs,) OTC drug subcultures (DXM mostly, as well as research chemicals, grey market substances, etc.) digital archiving, Soulseek, piracy, animals and animal symbolism (cats, wolves, foxes, coyotes, deer, rabbits and hares, hawks, ravens and corvids, sparrows, etc.), digital presences, online urban legends, various authors (Mario Montano, Kenji Miyazawa, Jonty Tiplady,) music (obsessively) (bubblegum bass, ambient, drone, HNW/ANW/DNW, (early/unique) hyperpop/cloud rap/digicore/rave rap/"scenecore," twee / jangle / dream / indie / noise pop, shoegaze, noisegaze, emo rap, neofolk, hauntology, sound collage, emo, midwest emo, post-punk, coldwave, nightcore, vaporwave, post-nightcore, deep internet, field recordings, noise, tape music, bedroom pop, slacker rock, signalwave, turntable music, plunderphonics, lowercase, reductionism, chamber folk, power electronics, death industrial, martial industrial, toypop, "new way of Danish fuck you," etherial wave, breakcore, onkyo, spoken word, slowcore, seapunk, witch house, C86, indie folk, late 2000s/early 2010s post-internet phenomena generally, glitch, dark ambient, ambient pop, indietronica, indie rock, gorenoise,) caffeine, cultural minutae, archiving and documentation, friendship, flowers (and photos of flowers,) vintage stuffed animals (and some modern ones,) post-modern & ergodic literature, post-internet art and net art, antiquarianism, conceptual / performance / transgressive / dada art, universal constructed languages (Esperanto, Toki Pona, Toki Ike,) heraldic animals, visual art (Louis Wain, Komako Sakai, Mark Rothko, Eva and Franco Mattes, JODI, Bas Jan Ader, Chris Burden, Roze Stiebra, David Lynch, Ladislas Starevich, etc.), Monotone Blue, the idea of living in a slowly ending world, puppetry, junkie subcultures, northern cities in Europe, the Titanic, cynocephali, medieval folklore, unicorns, cultural studies, weird online niches, individuals with idiosyncratic value systems, affection, pacifism